Calendar Girls is adapted from a real story. As I was leaving the theatre yesterday, I couldn’t help thinking that…

Spring is often the time for a bit of lightheartedness, and a comedy that doesn’t ask too much of its…

Willy Hudson’s one-man-show, written and performed with humour, charm and the occasional twinge of self-deprecation, would appear at face value…

I have an interesting relationship with Macbeth. The Scottish Tragedy, as it is superstitiously referred to, is easily my favourite…

In the interview accompanying the programme for the play, writer Simon Beaufoy notes that it is somewhat disconcerting that The…

When coming to a text as well-frequented as Romeo and Juliet, the pressure to put a different spin on it…

Mozart’s famous singspiel, with its well-known plot, charming characters, and memorable arias, can be both an easy win and a…

Hijinx have showed us in the past, more than one time, that they not only have the ability to produce…

WNO opens its Spring season with this interesting take on a work out of the Verdian repertoire which, while by…

If a debut is an indicator of a playwright’s potential, then Rhys Warrington, here bringing to the stage his first…