In My Words/ Yn Fy Ngeiriau Fy Hun
Rachael Boulton: The Good Earth, Motherlode
The Good Earth started development in 2013 after I sat down with Gareth Lloyd Roberts at the Wales Millennium Centre...
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Category: In My Words/ Yn Fy Ngeiriau Fy Hun
In My Words/ Yn Fy Ngeiriau Fy Hun
Chelsey Gillard: Assistant Director, The Weir
Why do we go to the theatre? Indeed, why do we feel the need to make theatre? Personally I believe...
In My Words/ Yn Fy Ngeiriau Fy Hun
Peter Doran: Performing Rights or Performing wrongs? The Play’s the Thing
At the start of each new year, my first job is to decide which plays we will produce for the...
In My Words/ Yn Fy Ngeiriau Fy Hun
Rachel O’Riordan: Directing The Weir
Tell us about how the co-producing partnership between the Sherman Theatre and Tobacco Factory Theatres. RO: It was an idea...
In My Words/ Yn Fy Ngeiriau Fy Hun
Rachel Podger: Brecon Baroque’s London sound
It has been an extraordinary year, with a concert, recording and teaching diary that has taken me the world-over. I...
In My Words/ Yn Fy Ngeiriau Fy Hun
Jo Shapland: Told By the Wind
I like it when seemingly scattered and diverse elements connect up and when my diverse creative skills are brought together...
In My Words/ Yn Fy Ngeiriau Fy Hun
Richard Tunley: Bouncers, a joy and a welcome challenge
In 2009 I stood on stage at the Blackwood Miners’ Institute in our first production of BOUNCERS whilst an audience...
In My Words/ Yn Fy Ngeiriau Fy Hun
Alan Harris: The Terrible Things I’ve Done: A play about bravery.
There’s a game where one person stands in the middle of a circle of chairs. The chairs are filled by...
In My Words/ Yn Fy Ngeiriau Fy Hun
Jo Davies: directing two separate worlds in Kiss Me, Kate
Directing Kiss Me, Kate is to direct two shows at the same time. The first – the backstage romance of...
In My Words/ Yn Fy Ngeiriau Fy Hun
Keith Warner: Directing Merchant of Venice, WNO
The very story of The Merchant of Venice is controversial. Anyone touching the material would seem to tip-toe through...