Black Out, Philippe Saire, Cardiff Dance Festival
I had just struggled to take out my new contact lens (ouch), read an article about a planned new film about Aberfan,...
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I had just struggled to take out my new contact lens (ouch), read an article about a planned new film about Aberfan,...
There is nothing apologetic about the shockingly brutality in Liz Roche’s Wrongheaded which melds video, voice and movement to tackle the...
As a non-expert in dance, one is always grateful when presented with work which boasts clearly defined narratives or objectives....
The enviable A Play, A Pie and A Pint initiative has been running, based out of Glasgow’s Òran Mór...
Pur anaml y bydda i’n gadael sioe yn siomedig iawn am nad oedd hi’n ddigon hir. Ond ges i fy...
It’s a fair few years ago now, Thursday night, 19th May 1977, Top Of The Pops is on the TV and...
From the start, the play feels taut with tension. The characters circle the space like caged animals, about to embark...
Tom Lehrer has a lot to answer for. There was a time when you couldn’t turn on Radio 4 or...
My first initial thoughts on attending a musical about Carole King were, how can it be possible to tell the...
This is the safe and supportive platform for new and young critics to share their reviews and views on the...