Kaite O’Reilly has devoted a significant portion of her career to depicting disability in drama, whether by foregrounding hitherto marginalised…
Macsen McKay: And Suddenly I Disappear: The Singapore/UK ‘d’ Monologuesby Kaite O’Reilly.
August 23, 2018Ten years ago Kaite O’Reilly first told me about her project ‘the ‘d’ monologues’. At the time, to me, she…
Chiara Strazzulla reviews Richard III redux – Sara Beer [is/not] Richard III
March 12, 2018Performer Sara Beer’s take on Shakespeare’s (and history’s) Richard III – and many things beside – is an unpredictable, thoroughly…
Sara Beer: playing three personas in Richard III redux
February 15, 2018Fairly soon after I had performed in Kaite O’Reilly’s play ‘Cosy’ at the Wales Millennium Centre in 2016 we were…
Jo Shapland: Told By the Wind
October 3, 2016I like it when seemingly scattered and diverse elements connect up and when my diverse creative skills are brought together…
The Llanarth Group’s ‘hypnotic’ Told By The Wind in Cardiff and Cardigan
August 31, 2016From Chicago to Tokyo, Berlin to Wroclaw, The Llanarth Group’s “hypnotic Told By The Wind has received outstanding reviews and…
Cosy, Wales Millennium Centre
March 11, 2016When the lights go up at the end of Kaite O Reilly’s Cosy in the WMC’s Weston Studio, you might…
Cosy, Kaite O’Reilly
February 28, 2016I was on attachment to the National Theatre Studio in London five years ago when I got the impulse to…
Cosy, quirky, honest, daring: Kaite O’Reilly
April 12, 2015How we live and how we die has never been more topical or relevant to our ageing society that likes…