Motherfucking hats off to the motherfucker in the hat.
Last time I saw a Stephen Guirgis production I was blown away. However, this time he managed to outdo A Dublin Carol and keep me and my sister gripped and entirely engrossed in the story.
The gritty urban drama covered the life of former and current drug users and their messed up, integrated sex lives and trials and tribulations on the road to recovery. If the plot wasn’t edgy enough; the atrocious language definitely certainly nailed it.
The New York based turmoil was comic gold. Maximising the native Brooklyn lingo allowed the play to flow with natural fluidity but also allowed the phrases to be spat, creating a humorous aggression. On some occasions, it quickly evolved into seemingly real aggression.
Using three tiers both allowed the small stage to be filled up and be a clear division from house to house where the play was based. It filled up the studio and everyone was in awe, or tears of laughter throughout, so gripped in the events as they unfolded.
The acting was phenomenal and the use of timing for comedic or dramatic effect was spot on. One of the best, if not the best night I am yet to attend. I would recommend highly for anyone with a chance to attend.
Francois Pandolfo Jackie
Alexandria Riley Veronica
Kyle Lima Cousin Julio
Jermaine Dominique Ralph
Renee Williams Victoria
Until March 31.
http://www.shermantheatre.co.uk/performance/theatre/the-mother-with-the-hat/
Paddy Thompson is supported by Wales Critics Fund.
Tickets purchased by Wales Critics Fund as part of the New Voices scheme.
Review from Glasgow performances: The Motherfucker with the Hat, Tron Theatre, Glasgow